Gabriele Mainetti’s The Forbidden City is a strange movie. It presents as a throwback martial arts actioner about a Chinese woman, Mei (badass stunt performer Yaxi Liu), single-mindedly battling her way through Rome’s criminal underworld in search of her missing sister. And it is that. The Italian picture comes out swinging and plays like a kung-fu movie greatest hits collection: Mei fights her way up many flights of stairs; there’s a kitchen fight, complete with using pots and pans as improvised weapons, boiling oil, and flaming stovetops; and even a red-light brothel fight. This all happens in the first few minutes. From there, it’s an odd assemblage of a face-pummeling action movie, gangster saga, melodramatic rom-com, operatic tragedy, and more. It’s an unexpected mixture and doesn’t seem like it should work, but it does, combining into something singular and unique.
What if Romeo and Juliet but with warring small town Italian farm mob families? That’s the basic conceit of Pippo Mezzapesa’s Burning Hearts, where a forbidden romance shatters a fragile truce and stirs up a generational blood feud.
Abel Ferrara’s pandemic-shot terrorism thriller, Zeros and Ones, presents a difficult mystery to unravel. In the end, it remains to be seen whether or not finding a concrete solution is even entirely possible, but the sparse, lean, meditative tale offers an esoteric and, most importantly, compelling journey of obtuse motivations, dubious loyalties, and looming violence.
In a career full of nutty, brutal, style-forward horror
films, few titles on Dario Argento’s resume are as strange, violent, or
aesthetically singular as his 1987 giallo, Opera, which has a
nice new Blu-ray release from Scorpion. In one of the bonus features, the
director calls it his favorite of his films, and it’s easy to see why. It’s
like a collection of all of his visual and thematic faves and watches a bit
like if Douglas Sirk make horror movies instead of domestic melodramas.
