'Wildcat' (2025) Movie Review

Before he wraps up his single-take action franchise next year (the third installment, One Last Shot, is reportedly already in the can), James Nunn is back to grace us with the Kate Beckinsale-fronted DTV offering, Wildcat. And tactical action fans have a great deal to be thankful for.

'Die My Love' (2025) Movie Review

Ultimately, I’m not entirely sure how I feel about Die My Love, the new film from Lynne Ramsay (We Need to Talk About Kevin, You Were Never Really Here). There’s a great deal to appreciate, admire, and even love. It’s certainly stuck with me since I first watched it and I can’t quite shake the idea of. At times it invites the viewer in, at times it keeps us at arm’s length, intentionally oblique to the point where it invites near endless interpretations.

'This Too Shall Pass' (2024) Movie Review

In 2019’s Harpoon, writer/director Rob Grant made a tense, violent, often hilarious horror movie that I called “a gory, savage black comedy potboiler” about three friends trapped on a boat and coming unraveled. For his next trick, he tackles something equally harrowing and metaphorically equivalent to being lost adrift at sea: adolescence. This Too Shall Pass is a funny, bittersweet, messy story of a time that’s, well, funny, bittersweet, and messy, even if the delivery system is at times a nostalgia overload.

'The Ice Tower' (2025) Movie Review

When 15-year-old orphan runaway Jeanne (Clara Pacini) breaks into a theater to sleep for the night, she discovers the building is being used to film an adaptation of Hans Christian Andersen’s The Snow Queen, which just so happens to be her favorite fairy tale. As she insinuates herself into production, she falls under the thrall of Cristina (Marion Cotillard), the film’s demanding, enigmatic diva, and the two develop a mutual, deepening obsession. So goes The Ice Tower, the new film from Evolution and Earwig director, Lucile Hadzihalilovic.

'Affinity' (2025) Movie Review

Marko Zaror’s DNA is all over the movie Affinity. And not just because, at one point, he says, “Here’s your DNA, motherfucker,” then flings his own blood all over a dude’s face. He’s a producer, the creative team features many of his frequent collaborators (for example, Fist of the Condor director Ernesto Diaz Espinoza edited the movie), he has a story-by credit and a screenwriting credit, and he’s the fight/action director. Oh yeah, I forgot to mention, he’s also the star. The fights are, as expected in his capable hands, excellent, Zaror has the chance to do some different things, acting wise, and there’s a big, wild swing at the end that I don’t think entirely lands, and that is kind of nonsense, but that I freaking love. All in an 80-minute package.

'Appofeniacs' (2025) Movie Review

Warnings about new and emerging technology run amok has been a common theme in movies since damn near day one. From Frankenstein to Wells to the Terminator franchise, we’ve been counseled against the hazards of unchecked science we don’t fully grasp yet. With his debut feature, Appofeniacs, prolific music video director Chris Marrs Piliero uses a post-Pulp Fiction maze of rapid banter and intersecting narratives to raise a cautious eyebrow at the use of AI and deepfakes. What lands, lands solid, especially the frequent and ample violence, but what misses whiffs, and the mixed bag of a film winds up mostly a cautionary tale about aggrieved edgelords with no real problems and too much time on their hands. 

'Deathstalker' (2025) Movie Review

Within a span of a couple of months we’ve received remakes of early-1980s cult favorite swords-and-sorcery epics. First out of the gate was M.J. Bassett’s take on Red Sonja, and now we have Psycho Goreman mastermind Steven Kostanski’s version of Deathstalker. While the former knows it’s goofy, it plays things relatively straight. The latter, however, leans into the campiness with a winking, over-the-top glee. 

'The Furious' (2025) Movie Review

Kenji Tanigaki’s The Furious is the action movie of the year. It may be the action movie of a few years, because holy hell does it go hard. If having the legendary stunt coordinator and action director in the big chair didn’t already pique your interest, he also enlisted the great Kensuke Sonomura—director of Ghost Killer, Hydra, and Bad City, as well as all around stunt badass—as his action director. Add to this mix a cast fronted by Miao Xie (An Eye For an Eye) and Joe Taslim (The Night Comes For Us), and that heavily features Joey Iwanaga (Baby Assassins 2), Brian Le (Everything Everywhere All at Once), Yayan Ruhian (The Raid), and even an appearance by Jeeja Yanin (Chocolate), and this is action-movie-fan-Christmas.

'The Toxic Avenger' (2023) Movie Review

So often when filmmakers attempt to remake a beloved niche genre film or a cult classic, you wind up with a product that may, on the surface, resemble the earlier version, but that misses the point completely. Or one that doesn’t seem to grasp what people love about the original. Writer/director Macon Blair’s (Green Room) new incarnation of Troma Entertainment favorite The Toxic Avenger is not one of those movies. 

'Under Fire' (2025) Movie Review

On the heels of last fall’s Aftermath, the better of the two armored-car-robbery-on-a-bridge movies that came out within a week of one another (the less said about Sylvester Stallone’s abysmal Armor, the better), Mason Gooding (Scream) and Dylan “Not Jughead” Sprouse are back for another team up. This time they team up for Under Fire, a throwback action comedy that is itself a follow up to director Steven C. Miller’s 2024 Werewolves, which if you haven’t seen, is a fine time.

'Red Sonja' (2025) Movie Review

There’s been talk of a new Red Sonja movie for what feels like forever. Multiple stars and high-profile filmmakers have been attached in one form or another, until it seemed like it was destined to languish just out of reach in development hell. But here we are, in the year of our lord 2025, and M.J. Bassett, the director behind Solomon Kane and Rogue, among others, has finally delivered the goods. 

'The Occupant' (2025) Movie Review

Wilderness survival tales, sagas of human endurance in the face of overwhelming, unrelenting odds, are common fodder for movies. But like other oft-visited genres, they can be the staging grounds for moving, powerful stories. (It feels like I’ve written a lot about this lately when it comes to post-apocalyptic films doing fresh, interesting things.) There’s plenty of room for thrills and edge of your seat tension, and they’re perfect showcases for human resilience, the triumph of man over nature, and that sort of thing. It also helps that they tend to have relatively small casts. And into this fray comes Hugo Keijzer’s directorial debut, The Occupant.

'Holy Night: Demon Hunters' (2025) Movie Review

I say this every time I review one of his movies, but watching Ma Dong-seok (aka Don Lee) clobber dudes is one of modern action cinema’s purest pleasures. What director Lim Dae-hee’s new film, Holy Night: Demon Hunters, proposes is, what if, instead of dudes, there were demons, and Ma punched them in the face, too? That sounds like a match made in heaven. Or hell, as the case may be.

Fantasia 2025: 'Blazing Fists' Movie Review

Blazing Fists is a much more manageable title for prolific Japanese director Takashi Miike’s new film, which is also known as Blue Fight: The Breaking Down of Young Blue Warriors. That’s a mouthful. Whatever you call it, this is a fairly straightforward action drama about young men using sports, mixed martial arts in this case, to rise above meager circumstances. But don’t worry, this is still Miike, so it also has biker gangs, violence, oddball flourishes, and a sardonic crime boss bored with the world in a casual, terrifying way.

Fantasia 2025: 'Redux Redux' Movie Review

A woman stands in a desert in the darkening twilight, looming over a man, tied to a chair, burning to death at her feet. This is Irene Kelly (Michaela McManus). She’s travelling dimension to dimension, methodically killing every version of Neville (Jeremy Holm), the serial killer who murdered her daughter. It’s a hell of a first image to kick off Kevin and Matthew McManus’s (The Block Island Sound) indie sci-fi thriller Redux Redux.

'The A-Frame' (2024) Movie Review

If something seems too good to be true, it probably is. So goes the well-worn saying, so goes the story of Donna (Dana Namerode). A talented pianist, the diagnosis of an aggressive, highly localized cancer means the only way to save her life is to amputate her arm. As her days become a series of indifferent doctors and callous support groups, the prospect of losing everything she’s devoted her life to leads her to accept an offer from Sam (Johnny Whitworth, Empire Records), a mysterious (sketchy) scientist who claims he can cure her. What initially looks like an immediate, miraculous cure turns into something much more sinister. And occasionally quite gooey.

'Osiris' (2025) Movie Review

Coming off back-to-back bangers Shrapnel and The Channel, William Kaufman is back with more of that sweet DTV tactical action that’s so popular amongst a certain segment of moviegoers. This time, however, he’s splashing around in the genre pool with Osiris. It’s not his first foray into genre, Daylight’s End has vampires, after all, but this one involves aliens and spaceships and all the associated sci-fi accoutrements.

Fantasia 2025: 'The Serpent's Skin' Movie Review

When Anna (Alexandra McVicker), a young trans woman, leaves her shitty home town to start fresh, she learns you can run from your past, but you can’t get away from yourself, and finds plenty of new messes in the big city. Like vampires. 21-year-old filmmaker Alice Maio Mackay’s sixth feature, The Serpent’s Skin, uses this familiar premise as a jumping off point to do something a bit different.

Fantasia 2025: 'The Well' Movie Review

Working within specific, well-worn genre or subgenre frameworks can make it difficult to do something wholly new. How many rehashed slashers have we all sat through? But that doesn’t mean there aren’t worthwhile stories to tell. We still occasionally see exciting, fresh zombie tales, for instance. Post-apocalyptic movies are another example, illustrated nicely by The Well. Documentarian Hubert Davis (Black Ice), in his first narrative feature, uses these familiar trappings to tell a tense, brooding, slow-burn tale of life past the end of the world.

'Ghost Killer' (2024) Movie Review

Fumika (Akari Takaishi, Baby Assassins) is your average college student. She has a crappy job, constantly fends off creepy men pestering her, and she’s very clumsy. Seriously, she falls down. A lot. Things change a wee bit, however, when she meets the ghost of a vicious hitman, Kudo (Masanori Mimoto, First Love), who occasionally possesses her and takes control of her body. It’s like Upgrade or even Venom at times as the two consciousnesses occupy the same space. (Or All of Me with fisticuffs?) After some coaxing, she agrees to help him exact revenge against the people who killed him. So goes the plot of Kensuke Sonomura’s new action-oriented ghost story Ghost Killer. 

Fantasia 2025: 'Terrestrial' Movie Review

Three friends, Vic (Edy Modica), Maddie (Pauline Chalamet), and her fiancé Ryan (James Morosini), visit their college pal, Allen (Jermaine Fowler), now a hot up-and-coming science fiction writer. As Allen welcomes his old buddies to his epic new Los Angeles mansion, this reunion, while all smiles and hugs on the surface, hides a seething cauldron of sordid interpersonal histories, long-simmering rivalries, distrust, jealousy, and much more. Maybe Maddie is in love with Allen, why does Ryan pick apart every word Allen says, maybe Allen hasn’t even written a single word of his high-priced novel. And then things get out of hand.

Fantasia 2025: 10 Movies To See

It’s time once again for one of our favorite events of the year, Fantasia Fest, also known as the world’s largest genre film festival. Running from Wednesday, July 16 through Sunday, August 3, the schedule is, as always, bursting at the seams with all manner of horror, action, sci-fi, and other assorted cinematic goodness.

'Daniela Forever' (2024) Movie Review

Not everything that looks perfect truly is. That’s the underlying conceit of Daniela Forever, the latest genre-bender from Nacho Vigalondo (Colossal, Timecrimes). Quirky and off-kilter, which is particularly on-brand for the Spanish writer/director, this romance smudges the lines between drama and sci-fi, blending earnest yearning and self-delusion into a careful-what-you-wish-for smoothie of memory, flawed recollections and conceptions of people, and the chaotic nature of dream logic.

'K.O.' (2025) Movie Review

It makes too much sense to cast Ciryl Gane in an action movie. On one hand, he’s a professional MMA fighter, a heavyweight no less. At six-foot-five, he’s a 250 pound wall of muscly giant, with a unique blend of physicality and martial arts acumen to more than sell an on-screen fight. On the other hand, however, he also has an adorable baby face, complete with a goofy smile that often makes it difficult to take him seriously as a badass. It's hard to say this massive, scary dude is cute, but…he kind of is. Fortunately French director Antoine Blossier knows how to make good use of both of these facets in his new movie, K.O.

'American Trash' (2024) Movie Review

You may not immediately know the name Robert LaSardo, but you know Robert LaSardo. (Though if you’re a regular reader, odds are you’re very familiar with the man and his work.) He’s the guy you call when your movie needs a heavily tattooed, badass-looking motherfucker. In his 170-plus credits, with more than 50(!) on the way according to IMDb, he’s played vampires, gangsters, and heavies of all stripes. In addition to being an Adler Studio-trained actor, he’s also a veteran. So it only makes sense his first outing as a director, American Trash, focuses on a former soldier struggling with PTSD as a result of his experiences. 

'Diablo' (2025) Movie Review

A team up between star Marko Zaror and director Ernesto Diaz Espinoza already has my attention. The duo is responsible for Redeemer, Fist of the Condor, Mandrill, and more face-kicking excellence, and Zaror is, for my money, the most unsung martial arts movie badass working today. One way to up the ante is to add Scott Adkins into the mix, like they do in their latest, Diablo, and hot damn. This was on my most-anticipated list for good reason, and it delivers the goods.

SIFF 2025: 'Know Her Name' Movie Review

All-too-often people seem to believe there were no, or at least vanishingly few female filmmakers throughout the history of the medium. If Zainab Muse’s Know Her Name has anything to do with it, that won’t last much longer. Her documentary dives into the deep, rich, and integral, not to mention frequently overlooked and undervalued role women have and continue to play in film history. 

SIFF 2025: 'She's The He' Capsule Review

To get close to a crush, seniors Alex (Nico Carney) and Ethan (Misha Osherovich) pretend to be trans, a dicey proposition for sure. Here’s the twist, for one of them, she’s never felt so comfortable, so herself. Realizing she is in fact trans, the movie follows the fallout from that revelation. 

SIFF 2025: 'Sanatorium Under The Sign Of The Hourglass' Capsule Review

The Brothers Quay return with their first feature in 20 years, Sanatorium Under the Sign of the Hourglass. The haunting stop-motion offering, based on the book of the same name by Polish writer Bruno Schulz, adapts the surreal, fantastic journey of a young man, who, having recently lost his father, travels by train to a mysterious sanatorium.