Fantasia 2026: 'Our Effed Up World' Movie Review

At this point, it wouldn’t feel like Fantasia without an offering from Alice Maio Mackay. The prolific Australian filmmaker has dropped vampires, ancient parasites, cult murders, and even a Christmas movie, among others delightful genre goodies. She’s back once again with the world premiere of Our Effed Up World, tackling a neon-soaked ‘80s throwback sci-fi horror with her roguish, lo-fi, deep-baked queer sensibilities, and the result is a damn fine time.

Fantasia 2026: 15 Movies To See

Every year I scale back a little more and a little more on reviews and movie coverage. At this point, I barely cover wide, mainstream releases, and I’ve scaled film festival coverage down to a bare minimum. But like clockwork, when this time of year rolls around, I can’t escape the allure of Fantasia. 

SIFF 2026: 'Again Again' Movie Review

So you’ve been stuck in a time loop, cursed to relive the same day over and over and over again for ten years. But one morning you wake up and it’s tomorrow. What now? Tons of films deal with what it’s like to be endlessly stuck in the same day, some funny, some horrific, but not many, if any, deal with the aftermath. What do you do when you can finally move on? How do you cope? What does that do to your mind and your heart? This is the core idea that drives Mia Moore and Heather Ballish’s feature Again Again.

'Redux Redux' (2025) Movie Review

A woman stands in a desert in the darkening twilight, looming over a man, tied to a chair, burning to death at her feet. This is Irene Kelly (Michaela McManus). She’s traveling dimension to dimension, methodically killing every version of Neville (Jeremy Holm), the serial killer who murdered her daughter. It’s a hell of a first image to kick off Kevin and Matthew McManus’s (The Block Island Sound) indie sci-fi thriller Redux Redux.

'Cold Storage' (2026) Movie Review

The new sci-fi horror comedy Cold Storage is an odd movie to talk about. There’s a good amount to recommend, and it’s pretty fun. However, that’s also the best thing you can say about it, that it’s “pretty fun,” there’s not much more to it. It’s fun, but never as fun as it could, or should be. There’s gore and body horror, but nothing particularly memorable or impactful. We get some laughs, but they’re more light chuckles than full-throated guffaws. This is a movie that you can watch, be moderately entertained by, and that leaves little more impression than that. And given the pieces involved, that feels like a missed opportunity.

'Good Luck, Have Fun, Don't Die' (2025) Movie Review

When the AI revolution finally comes to destroy the human race, it will look less like the bleak apocalyptic future of the Terminator movies and more like all of humanity staring down at their smartphones, braindead and numbed, incapable and unwilling to think or do anything for ourselves. At least according to Good Luck, Have Fun, Don’t Die, the new sci-fi black comedy from Gore Verbinski (A Cure for Wellness).

The 50 Most-Anticipated Movies Of 2026

Hot on the heels of another great year of movies, it’s time to flip the calendar. Which around these parts also means it’s time to look to the future and see what cinema has to offer us this year. With that in mind, here are my 50, or at least 50-ish most anticipated movies coming our way in 2026.

'Affinity' (2025) Movie Review

Marko Zaror’s DNA is all over the movie Affinity. And not just because, at one point, he says, “Here’s your DNA, motherfucker,” then flings his own blood all over a dude’s face. He’s a producer, the creative team features many of his frequent collaborators (for example, Fist of the Condor director Ernesto Diaz Espinoza edited the movie), he has a story-by credit and a screenwriting credit, and he’s the fight/action director. Oh yeah, I forgot to mention, he’s also the star. The fights are, as expected in his capable hands, excellent, Zaror has the chance to do some different things, acting wise, and there’s a big, wild swing at the end that I don’t think entirely lands, and that is kind of nonsense, but that I freaking love. All in an 80-minute package.

'The Occupant' (2025) Movie Review

Wilderness survival tales, sagas of human endurance in the face of overwhelming, unrelenting odds, are common fodder for movies. But like other oft-visited genres, they can be the staging grounds for moving, powerful stories. (It feels like I’ve written a lot about this lately when it comes to post-apocalyptic films doing fresh, interesting things.) There’s plenty of room for thrills and edge of your seat tension, and they’re perfect showcases for human resilience, the triumph of man over nature, and that sort of thing. It also helps that they tend to have relatively small casts. And into this fray comes Hugo Keijzer’s directorial debut, The Occupant.

'The A-Frame' (2024) Movie Review

If something seems too good to be true, it probably is. So goes the well-worn saying, so goes the story of Donna (Dana Namerode). A talented pianist, the diagnosis of an aggressive, highly localized cancer means the only way to save her life is to amputate her arm. As her days become a series of indifferent doctors and callous support groups, the prospect of losing everything she’s devoted her life to leads her to accept an offer from Sam (Johnny Whitworth, Empire Records), a mysterious (sketchy) scientist who claims he can cure her. What initially looks like an immediate, miraculous cure turns into something much more sinister. And occasionally quite gooey.

'Osiris' (2025) Movie Review

Coming off back-to-back bangers Shrapnel and The Channel, William Kaufman is back with more of that sweet DTV tactical action that’s so popular amongst a certain segment of moviegoers. This time, however, he’s splashing around in the genre pool with Osiris. It’s not his first foray into genre, Daylight’s End has vampires, after all, but this one involves aliens and spaceships and all the associated sci-fi accoutrements.

Fantasia 2025: 'Terrestrial' Movie Review

Three friends, Vic (Edy Modica), Maddie (Pauline Chalamet), and her fiancé Ryan (James Morosini), visit their college pal, Allen (Jermaine Fowler), now a hot up-and-coming science fiction writer. As Allen welcomes his old buddies to his epic new Los Angeles mansion, this reunion, while all smiles and hugs on the surface, hides a seething cauldron of sordid interpersonal histories, long-simmering rivalries, distrust, jealousy, and much more. Maybe Maddie is in love with Allen, why does Ryan pick apart every word Allen says, maybe Allen hasn’t even written a single word of his high-priced novel. And then things get out of hand.

Fantasia 2025: 10 Movies To See

It’s time once again for one of our favorite events of the year, Fantasia Fest, also known as the world’s largest genre film festival. Running from Wednesday, July 16 through Sunday, August 3, the schedule is, as always, bursting at the seams with all manner of horror, action, sci-fi, and other assorted cinematic goodness.

'Daniela Forever' (2024) Movie Review

Not everything that looks perfect truly is. That’s the underlying conceit of Daniela Forever, the latest genre-bender from Nacho Vigalondo (Colossal, Timecrimes). Quirky and off-kilter, which is particularly on-brand for the Spanish writer/director, this romance smudges the lines between drama and sci-fi, blending earnest yearning and self-delusion into a careful-what-you-wish-for smoothie of memory, flawed recollections and conceptions of people, and the chaotic nature of dream logic.

'Elevation' (2024) Movie Review

Elevation, the new sci-fi adventure from The Adjustment Bureau director and Bourne Ultimatum writer George Nolfi, is fine. That’s the most accurate way to put it. It’s a solidly executed creature feature with an intriguing if underdeveloped hook, charismatic leads, moderate tension, and a crisp visual style. It gets right in, does its business, and wraps things up in less than 90 minutes. Is it thought provoking, innovative, or particularly memorable? No. But it’s entertaining and compelling enough if that’s all you’re after.

'Alien: Romulus' (2024) Movie Review

If it looks like an Alien movie, walks like an Alien movie, and murders you in space with a giant armor-plated extraterrestrial killing machine, then it’s probably an Alien movie. And by god, Evil Dead director Fede Alvarez’s Alien: Romulus is an Alien movie. We’ve got xenomorphs, we’ve got face-huggers, there’s a chest-burster, corporate malfeasance, capitalistic overreach, acid blood, synthetics up to no good, and all the expected bells and baubles.

'Furiosa: A Mad Max Saga' (2024) Movie Review

“Do you have it in you to make it epic?” one character asks another near the end of Furiosa: A Mad Max Saga. In answer to his own question, George Miller casually strolls over, taps the mic, leans in, and responds, “Yes, yes I do.” The 79-year-old action maestro has once again stepped up to show the whippersnappers exactly how to do it. And it is good.

SIFF 2024: 'Eternal' Capsule Review

In Eternal, a rift on the ocean floor threatens to destroy not only Earth’s climate but the burgeoning relationship between a young submarine pilot and aspiring singer. 

'Restore Point' (2023) Movie Review

What if you could save your life at a certain point and, if you die unexpectedly, can then reset to that moment, like a video game? That’s the general idea of director Robert Hloz’s Restore Point, a slice of dystopian sci-fi. A solid, sturdy neo-noir, the film combines a twisting mystery and cool world building with an intriguing idea that plays something like Chinatown by way of Minority Report, both thematically and aesthetically. 

'I.S.S.' (2024) Movie Review

The hardest movies to write about are the ones that are fine, the ones that are just kind of okay. Where there’s nothing specifically wrong with them, where there aren’t glaring, slap-you-in-the-face flaws or problems, but also where there’s nothing particularly engaging, memorable, or otherwise noteworthy. And that is the exact place where director Gabriela Cowperthwaite’s extraplanetary thriller I.S.S. lives. It has a strong cast doing solid work, seamless special effects, and a decent amount going for it. But the finished product is little more than a shrug and there’s not much to say beyond, “It’s fine.”