A big problem with films that present themselves as horror-comedies is that, all too often, they are neither frightening nor funny. In direct opposition to this trend, Emily Lou’s new film “The Selling” succeeds on both of these fronts—it is strong low-budget comedy and strong low-budget horror. There are consistent, legitimate laughs throughout, and, especially as the movie builds and progresses towards the climax, some solid ghost story action in the midst of all the humor.
