Gabriele Mainetti’s The Forbidden City is a strange movie. It presents as a throwback martial arts actioner about a Chinese woman, Mei (badass stunt performer Yaxi Liu), single-mindedly battling her way through Rome’s criminal underworld in search of her missing sister. And it is that. The Italian picture comes out swinging and plays like a kung-fu movie greatest hits collection: Mei fights her way up many flights of stairs; there’s a kitchen fight, complete with using pots and pans as improvised weapons, boiling oil, and flaming stovetops; and even a red-light brothel fight. This all happens in the first few minutes. From there, it’s an odd assemblage of a face-pummeling action movie, gangster saga, melodramatic rom-com, operatic tragedy, and more. It’s an unexpected mixture and doesn’t seem like it should work, but it does, combining into something singular and unique.
