With the glut of big-budget superhero blockbusters, there’s been a bit of a reactionary trend, a wave of smaller “superhero, but…” movies. Most recently think Brightburn, with its “Superman, but evil” concept. We can throw Glass, Fast Color, and more into this category of films that take common superhero tropes and tics, look at them from a different perspective, and filter them through an indie lens, usually grounding them in more reality-based circumstances.
