Thursday, August 4, 2022
A frenetic action movie about a tired-of-life assassin that begins with a hatchet fight? From the director and star of The Swordsman? Uh, that’s a big old hell yes from around these parts. And that’s precisely what we get from Choi Jae-hoon’s The Killer. Not to be confused with John Woo’s 1989 classic of the same name, this is nevertheless also a kickass time. (This latest Killer is an adaption of Bang Ji-ho’s novel, The Kid Deserves to Die, and it’s easy to understand why the title was changed for multiple reasons.)
Wednesday, August 3, 2022
Yoo Min-ho (So Ji-seob, A Company Man) is arrested for killing his mistress, but released on bail as his trial is in progress. Fleeing the prying eyes of the media, he retreats to an isolated, snow-bound cabin to meet with a Yang Shin-ae (Yunjin Kim, Lost), a new lawyer, one who has never lost a case. Over the course of a night in director Yoon Jong-seok’s Confession, Yoo spins his tale, lies pile up, perspectives shift, and true intentions come to light.
Monday, August 1, 2022
With Dark Glasses, his first film since 2012’s Dracula 3D, horror legend Dario Argento wants to remind you that, even at 81, he can still make a Dario Argento movie. Most, or at least many of his cinematic trademarks are present and accounted for. We’ve got striking colors, an unseen killer terrorizing young women, and a Goblin-esque score that could be lifted from one of the director’s late-70s/early-80s works, among other touches. While it doesn’t reach the highs of his more iconic films, it’s quick and efficient, fits solidly in his wheelhouse, and certainly rates higher than much of his recent output.