In writer/director William Kaufman’s new action film, Man of War, we meet our protagonist, Connor (LaMonica Garret), an elite spec-ops veteran, like we always meet this character in movies. He’s shirtless, so we can see both his muscles and his scars from a lifetime of combat, drinking straight from a bottle of booze, staring at a photo of a lost or distant loved one, a loaded gun on the table in front of him. He’s a man lost, adrift, uncertain of how to live in a world beyond the bounds of warfare.
It happens on occasion that two movies with similar plots release on top of one another. There was Armageddon and Deep Impact in the summer of 1998, Dante’s Peak and Volcano in 1997, and November 2024 gave us Aftermath a few weeks ago and now Armor. And talking about these two DTV armored-car-heist-on-a-bridge movies, Armor is not only the lesser of the two, by far, there's nothing of value or interest to find here. Except for die-hard Sylvester Stallone completists.
You’ve seen this opening countless times in an endless parade of Lifetime movies. It’s the day of the big wedding. Everyone is at the church. The handsome groom hangs out with his boys. The hunky best man struggles to put the finishing touches on his toast. The bride, radiant and ever so in love, looks into the mirror and gets cold feet. Even the title font and opening score scream this specific brand of light, fluffy, inoffensive made-for-cable romantic fare.
