Lights Out knows what you came to see. (And it's not the horror Lights Out.)You came to see Frank Grillo throw down. And throw down he does. Constantly. It’s also precisely the movie it advertises itself as, and while your mileage may vary, if this is your thing, this is very much your thing. It begins with a tactical running battle and moments later there’s a bar brawl. If that sounds like a good time, you’re in luck.
You’ve seen this opening countless times in an endless parade of Lifetime movies. It’s the day of the big wedding. Everyone is at the church. The handsome groom hangs out with his boys. The hunky best man struggles to put the finishing touches on his toast. The bride, radiant and ever so in love, looks into the mirror and gets cold feet. Even the title font and opening score scream this specific brand of light, fluffy, inoffensive made-for-cable romantic fare.
There’s a lot going on in Section 8, a lot. Director Christen Sesma (Paydirt) and writer Chad Law (Daylight’s End, Close Range) and Josh Ridgway (Howlers) crafts a hodgepodge of DTV staple plotlines, splicing together revenge drama, sprawling conspiracy thriller, tactical action, and more genre fundamentals. To be honest, there’s probably not a ton of appeal beyond extant fans of this type of film, but for those of us already on the hook, this shit is like supercharged catnip. It's chaotic and herky-jerky at times, but delivers balls-out fistfights and shootouts, and takes enough wild swings that it’s ultimately pretty damn fun.
