There are certainly examples I like quite a bit—Trollhunter, the Rec films, a few others—but for the most part, I don’t and never have enjoyed found footage as a cinematic approach. It’s never done much for me, and I generally find the drawbacks outweigh the benefits as an aesthetic and narrative conceit. That admittedly large caveat out of the way, Robbie Banfitch’s The Outwaters uses this format to dive headlong into experimental cosmic horror. This microbudget affair puts a fresh sheen on the subgenre, and though it tumbles into familiar pitfalls and engenders extreme, polarized reactions from viewers, both warranted and understandable, it ranks toward the top of the found footage pile.




