From the jump, A Wounded Fawn, the latest from director Travis Stevens (Girl on the Third Floor, Jakob’s Wife), flaunts its Italian influences, from the grainy, shot-on-16mm look, striking color palates, woman-in-peril motif, use of masks, prog-rock score, an owl creature lifted from Stage Fright, even the main car. Josh Ruben (Werewolves Within), balancing charm and menace, plays a serial killer who lures a potential victim, played by Sarah Lind (True Justice), to a remote cabin. Nothing good will come from that. For her anyway, it's a damn fine time for viewers.
Don’t you hate it when you move to a small town for work and it turns out there are werewolves on the loose? Yeah, that sucks. Unless you’re watching Werewolves Within, the latest from director Josh Ruben (Scare Me). An adaptation of a video game I’ve never heard of, Ruben and writer Mishna Wolff mix scares and laughs in a way that many attempts to do so fail to achieve. Playing like a horror whodunnit, the result is something akin to a lycanthrope take on Clue or Agatha Christie with monsters. (Literal monsters, not the metaphorical human variety, though the film has plenty of those as well.) It’s one of the most fun, entertaining movies to come out this year, and easily a top-tier video game movie.
