'Crimes Of The Future' Trailer: David Cronenberg Gets Back To His Body Horror Roots

Add the name Cronenberg to any movie and you have our undivided attention. Especially when it’s familial patriarch David Cronenberg. And especially especially when the film in question turns out to be a sci-fi-twinged body-horror romp. Such is the case with this first teaser trailer for his latest outing, Crimes of the Future. Check it out below, it has all the uncomfortable squeamishness one could hope for.

'No Time To Die' (2021) Movie Review

Originally slated to drop in November of 2019, then further delayed multiple times because of COVD-19, No Time to Die serves as Daniel Craig’s James Bond swan song, his grand finale as the iconic international man of mystery. And after months and months and months of waiting, of anticipation, it ends, to use that oft quoted line from T.S. Eliot, not with a bang, but with a whimper. 

This 'No Time To Die' Trailer Changes Everything For James Bond

When I was a kid, probably far too young, I wanted to be James Bond. I grew out of that with the crushing realization I’m not suave, skilled, or particularly gifted in any area of spycraft. That said, I will never not be super pumped for a new James Bond movie. And that, of course, includes the upcoming No Time to Die. Delayed from its original release, 007’s latest adventure hits theaters in November, and to rebuild the hype, there’s this slick, action-packed new trailer.

'Spectre' Movie Review

Spectre, the latest James Bond film, begins with a blistering opening scene, the kind of action sequence that, when you stumble across the movie on TV years from now, you’ll stop what you’re doing and watch, even if you don’t stick around for the rest. Set in Mexico City during a massive Day of the Dead celebration, the international man of mystery tracks a target through the crowd of skull-mask clad revelers. Visually striking, intricately staged, and beginning with a soaring, uninterrupted take, it starts the movie out on a high note (though there’s a missed opportunity for a singularly James Bond moment at the end). The ensuing film, however, never quite measures up to this opening.