2016 saw the establishment of the Seattle Film Nerd Party
Club (actually, it’s the Seattle Film Critics Society, but I’m going to keep
using my preferred moniker until it sticks, so get used to it). And like every
other critic’s group, we have our own awards. The nominations came down a while back, but today brings the announcement of the winners of the 2016 Seattle Film Awards (I have my fingers crossed for a live cable-access telecast hosted by
the ghost of J.P. Patches for next year).
Showing posts with label Moonlight. Show all posts
Showing posts with label Moonlight. Show all posts
Thursday, January 5, 2017
Tuesday, December 27, 2016
Brent's Top Ten Movies Of 2016 [UPDATED]
Without fail, some people grouse about how that particular
365-day journey around the sun was a bad year for movies. 2016 is no exception,
a circumstance made all the more egregious because so many giant blockbusters
sucked ass or, perhaps even worse, wound up inane and tepid and unmemorable in
every regard.
Labels:
10 Cloverfield Lane,
Arrival,
Green Room,
La La Land,
List,
Moonlight,
Movie Review,
news,
Rogue One: A Star Wars Story,
Tag,
The Handmaiden,
The Wailing,
The Witch,
Top Ten List,
Under the Shadow
Wednesday, December 21, 2016
The 2016 Seattle Film Awards Nominations
Because I’m a super fancy film critic (i.e. I spend most of
my free time sitting silently in dark rooms watching movies most people never
see; writing about them online, where no one reads about them, for little to no
money; and talking about these movies no one sees with other likeminded
obsessives—jealous?), I get to vote in super fancy end-of-the-year film critic
polls. One of these is the Seattle Film Critics Society, which just announced
the 2016 Seattle Film Awards nominations.
Wednesday, November 2, 2016
'Moonlight' (2016) Movie Review
On one hand, writer/director Barry Jenkins’
Moonlight is a relatively simple story: a young man coming
of age, trying to figure out who he is and where he fits in this world. That’s
a tale told countless times. On the other hand, the story is nuanced and
complex—like growing into adult hood tends to be—and the result is wholly
unique and lovely and moving.
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