For his last two movies, Happy Death Day and Happy Death Day 2U, director Christopher Landon took a Groundhog-Day-but-horror approach. With his latest, Freaky, he uses the well-worn Freaky Friday body swap conceit but gives it a slasher spin. Instead of a mother and daughter changing places, a teen girl and vicious serial killer flip flop bodies and lives. While the resulting film isn’t always 100% successful—the plot is easily predictable and once the concept becomes apparent early on and contains zero surprises—it’s an effective, screwdriver-stabbing, corpse-sawing good time.
