When you hear characters say, “Make a name for himself,” “Rewrite our history,” and “Every man should be the author of his own history,” it becomes clear what a film has on its mind. It’s about creating your own story, your own myth, and telling your tale the way you want. And with an ironic title like True History of the Kelly Gang, it also becomes clear that maybe their version of events isn’t 100% to be trusted.
Showing posts with label Russell Crowe. Show all posts
Showing posts with label Russell Crowe. Show all posts
Friday, April 24, 2020
Thursday, June 8, 2017
'The Mummy' (2017) Movie Review
For a stretch of The Mummy, Tom Cruise’s
Nick Morton asks over and over, “That’s really your plan?” like he just can’t
believe it. And that’s essentially my reaction to Universal’s latest attempt to
kick off their “Dark Universe” where they reboot all their classic monster
movie properties with modern action spectacle trappings. 2014’s
Dracula Untold was a failed first endeavor, and I can’t help
but wonder if this uninspiring re-launch will meet a similar fate.
Wednesday, May 18, 2016
'The Nice Guys' (2016) Movie Review
If you’re a fan of Shane Black’s movies, especially
Kiss Kiss Bang Bang, Lethal Weapon, and
The Last Boy Scout, his latest, The Nice
Guys, is exactly the movie you hoped for. It never deviates from the formula,
but it’s certainly Black doing what he does, as well as he’s ever done it. This
is the kind mismatched buddy action comedy that, every time one does roll
around, we collectively say, “Hollywood doesn’t make this kind of movie anymore.”
Sunday, December 23, 2012
'Les Misérables' Movie Review
Having never read Victor Hugo’s novel, nor seen the
legendary stage production, the vast majority of what I know about “Les Misérables”
comes from an episode of “Animaniacs”. That said, I do love a good musical, and
I rather enjoyed this long awaited film adaptation, though it is an up and down
ride at times. Even if you’re not familiar with the play, you’ve heard these
songs before, the cast is fantastic across the board, even people I don’t
usually care for (Anne Hathaway, I’m looking at you), and the costumes and
production design do a great job of making you feel like you’re in 19th
century France. Everyone, even the upper class, are suitably grubby and smudged
so that you believe they’ve spent their entire lives living in filth.
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