Showing posts with label Yahya Abdul-Mateen II. Show all posts
Showing posts with label Yahya Abdul-Mateen II. Show all posts
Tuesday, December 21, 2021
'The Matrix Resurrections' (2021) Movie Review
In 1999, the Wachowski’s rewrote the cinematic game plan with The Matrix. Big and brash, the influence on movies remains palpable and omnipresent today. The subsequent sequels, Reloaded and Revolutions, are overstuffed, messy, and divisive—and still awesome despite being way up their own asses. Now, almost 20 years after the fact, Lana Wachowski, operating solo at the helm for the first time, is back with the long-awaited The Matrix Resurrections. And the results are mixed. At times this is exciting and fresh; at others, it’s a painfully dreary rehash.
Thursday, August 26, 2021
'Candyman' (2021) Movie Review
Candyman. Candyman. Candyman. Candyman…Nope, not going to do it. Haven’t since first seeing the original in 1992, not going to start now. This latest round of nope, nope, oh hell no, is thanks primarily to Nia DaCosta’s new take on the property, which is chilling, gory, stunning to look at, and occasionally frustrating.
Thursday, February 27, 2020
'Candyman' Trailer: Say His Name, Be His Victim
Candyman, Candyman, Candyman, Candyman, Candyman. For horror kids growing up in the 1990s, these were five of the most terrifying words you could here. Who among us didn’t gaze into a dimly lit mirror, say the name four times, and hesitate with a shiver before we squeaked out the fifth? We have a new Candyman on the way from producer Jordan Peele and director Nia DaCosta, and thus far, things have been kept relatively under wraps. But now the first trailer is here and it’s terrifying.
Wednesday, December 19, 2018
'Aquaman' (2018) Movie Review
There’s so much going on in Aquaman I’m honestly not sure where to begin. Actually, that’s as good a place as any. There is a lot going on in Aquaman. Like, a lot. To try to map out the plot is a fool’s errand; it’s a tangle of betrayal, a reluctant hero, Aquaman’s childhood, a single throwaway line that connects to the larger DC movie universe, betrayal, revenge, destiny, heartbreak, and a litany of things I know I forgot. And director James Wan wraps all of this is a Day-Glo, candy-colored, hallucinogenic seascape that resembles the cover of an epic adventure metal album from the ‘80s. And it’s as fun and messy as that sounds.
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