There’s a great deal to admire in the latest rendition of F.W. Murnau’s 1922 horror classic (and unofficial Dracula adaptation) Nosferatu, the long-simmering passion project from Robert Eggers. It’s exquisitely mounted down to the most granular detail, features several fantastic, committed performances, and is stunning to look at. But for all there is to appreciate, it fails to move the needle or elicit much of any reaction beyond a shrug.
You know the story well. In a dystopian world, the despotic siblings who rule with an iron fist murder a family who opposes them. The only survivor, a young boy, left deaf and mute by the experience, trains his entire life with a very stoned shaman for a mission of revenge with only the mental incarnation of his dead sister and his internal monologue, the voice of his favorite childhood video game, for company. Yeah, that old yarn, right? And thus, we have Boy Kills World.
Mickey (Bill SkarsgÄrd, It) and Jules (Maika Monroe, The Guest, It Follows) are a wannabe Bonnie and Clyde. Drug addled, wild, and in love, they plan to rob their way to Florida, with an overly idyllic dream of selling sea shells on the sea shore. Until they break into the wrong house. When circumstances dictate they invade the home of George (Jeffrey Donovan, Burn Notice) and Gloria (Kyra Sedgwick, The Closer), a stuffy, seemingly uptight couple, they get so much more than they bargained for and we find out who the real bad guys are. So goes Villains, the new horror-comedy from writer/directors Dan Berk and Robert Olsen (Stake Land 2).