'The Art Of Jim Burns: Hyperluminal' Book Review

Even if the name Jim Burns doesn’t immediately ring any bells, odds are that, as an avid consumer of science fiction over the previous decades, you’ve encountered more of his art than you know. He has worked on movies, games, and books for longer than many of us have been alive, and his shelves at home are speckled with trophies that include multiple Hugo Awards and numerous British Science Fiction Awards, among others. His gorgeous new book, The Art of Jim Burns: Hyperluminal is scheduled to hit bookstores (both brick and mortar as well as digital) at the end of this month and collects may of his paintings and covers, both that you’ve seen and that you haven’t.

'The Maze Runner' Movie Review

Reading James Dashner’s best-selling young adult novel The Maze Runner, I wasn’t particularly impressed. That said, this is one of those rare times when you read a book, and though you don’t think much of the work as it is, you think to yourself that this might make a decent movie. Sure, the writing may be lackluster—just because it’s for a younger audience doesn’t mean you should be able to get away with subpar writing, but that’s a discussion for another time and place—and the characters are so-so, but there a number of elements that could translate well from the page to the screen.

'The Guest' Movie Review

Director Adam Wingard and writer Simon Barrett are the duo responsible for last year’s indie horror hit “You’re Next.” While it doesn’t reinvent the wheel, it’s a super fun home invasion yarn, and full of solid scares and action (it’s hard to ever go completely wrong whenever you have dudes in creepy animal masks breaking into houses and terrorizing folks). When their latest collaboration, “The Guest,” starts out, you think you’re in for a similar ride. But that’s not how it all goes down, and what they’ve crafted here is a dark, entertaining thriller that’s familiar but still inventive in all the right places.

Blu-Ray Review: 'The Battery'

Zombie movies are ridiculously overdone. The marketplace is so saturated with mediocre-to-terrible films that it’s barely worth trying to wade through the nonsense to get to the gems. That said, every once in a while you come across one that reminds you of just how good the genre can be, and Jeremy Gardner’s The Battery is, thankfully, one of those that breathes a bit of much needed life into what is largely an undead genre. And lucky you, it’s now available on Blu-ray thanks to Scream! Factory.

'The Skeleton Twins' Movie Review

No one blows up your life quite like family. No one knows how push every button, pick at every scab, or tear open every old wound like the people who are supposed to love you the most. But even though no one can destroy you like family, no one can lift you up and piece you back together quite like they can, either. That’s the central theme in Craig Johnson’s new dramatic comedy The Skeleton Twins, which offers its two leads an opportunity to redefine the trajectory of their careers.

'Plague World' Book Review

Zombies are hard. As great as they can be—see Night of the Living Dead, Dawn of the Dead, and Wild Zero, among others, for movies, and the likes of World War Z for books—they’re also incredibly difficult to pull off with any originality or zest. For every title, book, movie, or comic, that hits, that really, truly delivers, there is a nearly endless list of those that completely miss the mark. One of these that never lands like it needs to is Dana Fredsti’s new undead novel Plague World.

Comic Review: 'Doctor Who: The Eleventh Doctor Issue #2'

If you’re an alien lord with two hearts in your body, the last of your kind, and you have the ability to travel through space and time, what’s the first thing you do when you make a new friend? That’s right, you take them someplace nice. And that’s exactly what the Doctor does in issue #2 of Titan Comics’ young series Doctor Who: The Eleventh Doctor, or at least that’s what he tries to do.