Fantasia 2025: 'Blazing Fists' Movie Review

Blazing Fists is a much more manageable title for prolific Japanese director Takashi Miike’s new film, which is also known as Blue Fight: The Breaking Down of Young Blue Warriors. That’s a mouthful. Whatever you call it, this is a fairly straightforward action drama about young men using sports, mixed martial arts in this case, to rise above meager circumstances. But don’t worry, this is still Miike, so it also has biker gangs, violence, oddball flourishes, and a sardonic crime boss bored with the world in a casual, terrifying way.

'Ghost Killer' (2024) Movie Review

Fumika (Akari Takaishi, Baby Assassins) is your average college student. She has a crappy job, constantly fends off creepy men pestering her, and she’s very clumsy. Seriously, she falls down. A lot. Things change a wee bit, however, when she meets the ghost of a vicious hitman, Kudo (Masanori Mimoto, First Love), who occasionally possesses her and takes control of her body. It’s like Upgrade or even Venom at times as the two consciousnesses occupy the same space. (Or All of Me with fisticuffs?) After some coaxing, she agrees to help him exact revenge against the people who killed him. So goes the plot of Kensuke Sonomura’s new action-oriented ghost story Ghost Killer. 

'Demon City' (2025) Movie Review

Have you seen Seiji Tanaka’s Demon City, or a close approximation of it before? Yes, many times. Among other comparable titles, it’s almost beat-for-beat Hard to Kill. Does it have much in the way of nuance, depth, or character development? No. It’s extremely sparse on those fronts. What it does have, however, are plenty of bonkers, bloody fight scenes and awesome action choreography.

'The Prosecutor' (2025) Movie Review

Hear me out, Donnie Yen stars as a lawyer. But don’t worry, he may wear a silly robe and wig combo in the courtroom, but he still has ample opportunity to punch, kick, and otherwise pummel his way through throngs of faceless goons on the streets. Thus, we have The Prosecutor, directed by none other than Donnie Yen himself. And dammit if he doesn’t want an Oscar, or equivalent accolades. This movie leans hard into the “I have something to say!” of it all.

SIFF 2024: 'Tenement' Movie Review

Much of Cambodian import Tenement, making its North American debut at the Seattle International Film Festival, will be familiar to those reasonably well-versed in supernatural horror. The story follows someone returning to a place they once had a connection to and finding it haunted by more than memories. Though the film may lack a bit of originality, it delivers an effective, to-the-point, gorgeously staged chiller.

'Devils' Movie Review

The easiest, most obvious comparison point for director Kim Jae-hoon’s Devils is John Woo’s 1997 Face/Off. While not an exact one-to-one correlation, the two are similar enough that it’s definitely worth a mention and provides a good idea of what to expect. Both revolve around a cop and a serial killer who swap bodies and the ensuing game of cat-and-mouse, though Kim’s film works more in thriller territory than Woo’s bonkers action realm. None of this is meant to be dismissive, and though they walk similar lines, Devils does enough by the end to differentiate itself and make excellent an intriguing use of its core concept.

'The Roundup: No Way Out' (2023) Movie Review

By the time you get to the third installment of a franchise, you often know what to expect. Sometimes that can be repetitive and stale, but when it comes to The Roundup: No Way Out, the sequel to 2022’s The Roundup, itself a follow up to 2017’s The Outlaws, the filmmakers know exactly what audiences want—star Ma Dong-seok punching dudes very, very hard and being droll and hilarious as he does—and delivers a substantial amount of that. And it is good.

'Mad Cats' (2023) Movie Review

A lazy, layabout slacker, a missing brother, and a pack of anthropomorphized cats bent on executing sketchy pet shop owners. That’s the basic premise of writer/director Reiki Tsuno’s Mad Cats. This inherently strange tale mixes banger martial arts throwdowns, kinetic gun play, a weirdo mystery, and “forbidden catnip from ancient times.” The result is chaotic and odd, with an off-kilter approach that balances comedy, melodrama, action, and ambition.

'Project Wolf Hunting' (2022) Movie Review

“How come you’re always covered in blood?” This single line of dialogue between characters accurately encapsulates Project Wolf Hunting, the new action movie from writer/director Kim Hong-sun (The Chase). The answer is also relatively simple: because there is so, so much blood in which to be covered. Not only is the movie over-the-top violent, but every last wound is an absolute gusher, just nonstop blood spurting out of heads and necks and severed limbs of all varieties. Everything is some combination of slippery and sticky and showered in red.

'The Killer' (2022) Movie Review

A frenetic action movie about a tired-of-life assassin that begins with a hatchet fight? From the director and star of The Swordsman? Uh, that’s a big old hell yes from around these parts. And that’s precisely what we get from Choi Jae-hoon’s The Killer. Not to be confused with John Woo’s 1989 classic of the same name, this is nevertheless also a kickass time. (This latest Killer is an adaption of Bang Ji-ho’s novel, The Kid Deserves to Die, and it’s easy to understand why the title was changed for multiple reasons.)

Fantasia 2022: 'Confession' Movie Review

Yoo Min-ho (So Ji-seob, A Company Man) is arrested for killing his mistress, but released on bail as his trial is in progress. Fleeing the prying eyes of the media, he retreats to an isolated, snow-bound cabin to meet with a Yang Shin-ae (Yunjin Kim, Lost), a new lawyer, one who has never lost a case. Over the course of a night in director Yoon Jong-seok’s Confession, Yoo spins his tale, lies pile up, perspectives shift, and true intentions come to light. 

'Paid In Blood' (2021) Movie Review

Just a heads up right out of the gate, Paid in Blood has been marketed as a fast-paced action film, which it is decidedly not. Despite a few quick flurries, there’s really only one straight-up action scene. More than that, director Yoon Young-bin’s film, also known as Tomb of the River, aims to be more of a taut, sprawling underworld epic. It eternally lingers right on the verge, on the precipice of violence, but even punctuated by quite a few stabbings, they’re honestly pretty low-key as far as stabbings go.

Fantasia 2022: 'Special Delivery' Movie Review

As a concept, writer/director Park Dae-min’s Special Delivery plays like a riff on stories like Drive or The Transporter. A solitary, hot-shot driver, against their personal rules, gets personally and emotionally involved in a job, which upends their life. Though a familiar set up, full of high-speed chase scenes, an escalating mean streak, and a fantastic performance from Parasite star Park So-damn, the film offers up a throttle-cranking action blast.

Fantasia 2022: 'The Roundup' Movie Review

Ma Dong-seok, also known as Don Lee, just wrecking dudes, is a true thing of beauty. That single fact is more than enough reason to watch a movie; I’ve watched movies for far, far less. If that wasn’t enough to get The Roundup to pop on my radar (it certainly was), the fact that director Lee Sang-yong’s film is a follow up to 2017’s The Outlaws, which prominently features Ma running amok through the Seoul underworld. And while this new chapter may not quite live up to its predecessor, it’s still a more than worthy successor. 

'The Witch 2: The Other One' (2022) Movie Review

Park Hoon-jung’s The Witch: Part 1—Subversion is a deliberately paced, gradual build toward a brutal, bloody action/horror/sci-fi hybrid. It takes its time to lay the groundwork and establish the emotional stakes to that violence, toying with audience expectations along the way. The second chapter in this proposed trilogy, The Witch 2: The Other One, is a jumbled, tedious misfire that fails to accomplish much of any note.

'Decision To Leave' Trailer: Park Chan-Wook's Latest Brings The Mood And Mystery

UPDATE: We've now added a full trailer for Decision to Leave as well as two additional clips. Find them down below.

ORIGINAL POST: In this house we celebrate Park Chan-wook. The South Korean director has helmed a ton of masterpieces and films that rank among our all-time favorites. (Oldboy, The Handmaiden, Stoker, to name a few.) So, of course, we’re excited anytime he has a new movie coming out. His next, Decision to Leave,  premieres at Cannes this month and there’s a brief, esoteric trailer to get us pumped up.

'Seobok' (2021) Movie Review

Movies love to look to the near future in order to delve into the topic of human cloning and the various moral and ethical ramifications of playing god and creating life in a lab. As often happens, these stories also turn into meditations on what it means to truly be human, a whole other can of metaphorical worms. And into this framework comes writer/director Lee Yong-ju’s Seobok.

'Beyond The Infinite Two Minutes' Movie Review

When coffee shop owner/aspiring musician Kato (Kazunari Tosa) heads to his upstairs apartment after close, he’s shocked to get a message on the TV. From himself. From two minutes in the future. This kicks off director Junta Yamaguchi’s Beyond the Infinite Two Minutes, a cascading series of sci-fi time travel antics with a crew of oddballs, like Megumi (Aki Asakura) and Ozawa (Yoshifumi Sakai), among others. They try to decipher the mystery, maybe get Kato a date, and quickly find themselves in way over their heads.

'Raging Fire' (2021) Movie Review

A cop haunted by the past, trying to right previous wrongs. Who’s a bit of a hotshot and plays by his own rules, though still operates by a strict code. With a pregnant wife. Yeah, we’ve seen this set up before. But when that cop is Donnie Yen, and we’re talking about Raging Fire, the final film from the great Benny Chan, the result is a top-tier action banger of epic proportions. This sprawling, Heat-inspired cops-and-robbers opus delivers in all the right ways and rules every ounce as hard as one might hope.

'Hydra' (2021) Movie Review

Hydra begins with every man’s worst nightmare, being killed at a urinal. Okay, maybe not, but it’s a definite concern and something to think about in the bathroom. It’s a hell of a way to kick off a movie, even if most of what follows fails to live up to the opening. Until the very end.