Marky Mark is sick of coddling all the pussies and his new
movie is here to prove that. I don’t exactly know how that ties into his new action
movie, Mile 22, but the Trump pal once again teams up with
director Peter Berg (Lone Survivor, Deepwater Horizon) for some rah-rah, flag-waving, manly shit. And they, of
course, can’t help but getting a jab in at people with feelings (AKA the
aforementioned pussies) at the start of this new trailer.
Showing posts with label Mark Wahlberg. Show all posts
Showing posts with label Mark Wahlberg. Show all posts
Tuesday, May 15, 2018
Tuesday, June 20, 2017
'Transformers: The Last Knight' (2017) Movie Review
Let’s be frank. At this point, five movies of Michael Bay-directed
robotic mayhem into the franchise, most potential moviegoers don’t need me
or anyone else to tell them whether or not to see Transformers: The
Last Knight. As the last two installments both topped the
billion-dollar mark at the global box office—the first has the smallest take at
$709 million—this may well be the most “critic proof” franchise in all of
franchise-dom. It basically prints money regardless of brutal reviews. And when
this one dominates the box office, it’s sure to be the latest bullet in the
studio’s “movie critics don’t matter” gun. (Despite earlier this summer when
they placed the blame for the underperforming Baywatch and
Pirates of the Caribbean: Johnny Depp Earns a Paycheck
squarely at the feet of those fun-hating critics they didn’t make the movies
for anyway.)
Thursday, September 29, 2016
'Deepwater Horizon' (2016) Movie Review
As a filmmaker, Peter Berg is in love with the process of
things. He fills his films, even Battleship, with
meticulous, methodical sequences, like a helicopter refueling early on in his
latest tale of real-life disaster and heroism, Deepwater
Horizon. An affection and even tenderness washes over what amounts to
little more than a mechanical interaction between man and machine.
Thursday, June 25, 2015
'Ted 2' Movie Review
Seth MacFarlane’s 2012 film Ted surprised a lot of people. Raunchy and raucous, it was, at its core, about two lifelong friends, and that nugget of sweetness is what makes it stand apart from your average foul-mouthed comedy. The new sequel, Ted 2, is everything about the first film recycled, less effective, and generally forgettable.
Thursday, January 9, 2014
'Lone Survivor' Movie Review
We’re so inundated with frantic, rapid fire, Michael
Bay-inspired action sequences, where cuts come faster than you can blink, that
we expect every film to try to be something people will describe as “high
octane.” The combat scenes in Lone Survivor, on the other
hand, are almost balletic in comparison. When the fighting that forms the core
of the movie begins, it mirrors the training and approach of the quartet of
protagonists, four highly-skilled Navy SEALs. They go at their enemy with cool,
even steps, years of running drills and scenarios at the helm. Instead of
jittery, frenetic edits, you get fluid camerawork and longer takes as they make
calculated, deliberate, efficient movements. As the battle progresses, the
soldiers take more and more damage, and the situation becomes more precarious.
The aesthetic approach also reflects this, becoming choppy, more scattered,
chaotic, and intense.
Thursday, August 1, 2013
'2 Guns' Movie Review
If you walk away from Baltasar Kormakur’s latest actioner,
“2 Guns,” having learned one lesson it will be this: everyone will betray you,
always. That’s the basic point of the movie. Everyone will screw you over in
the end, even the people you call your People, and when they
do it, that’s when it hurts the most. That’s also why undercover DEA agent
Bobby Trench (Denzel Washington) doesn’t have people. In fact, he has a few
connections as possible. That’s about as deep as you’ll get in “2 Guns,” which
falls into that category of late summer—or at least post-every massive
blockbuster of the season—action film that looks groan worthy and generic
before hand, but turns out to be a ton of goddamn fun. Last year “Premium Rush”
surprised a lot of people, this year “2 Guns” might just do the same.
Saturday, May 25, 2013
Blu-Ray Review: 'Ultimate Gangster Collection: Contemporary'
As a kid “Top Gun” told me I should to be a fighter pilot,
James Bond movies showed me how awesome it is to be a spy, and gangster movies
made me want to be a gangster and live a life outside the law. None of those
career options panned out, but to celebrate the long, illustrious history of
mobsters in cinema, Warner Bros. has released their “Ultimate GangsterCollection” so you can live vicariously through some of he all-time fiercest movie
criminals in history.
Thursday, April 25, 2013
'Pain & Gain' Movie Review
“Pain &
Gain” is like watching a Day-Glo roid-rage explosion that will pump your pecks
at the same time it shrivels your nards. This is what happens when you
incorporate the phrases “Michael Bay” and “fact based” into the same movie. The
film is a continual series of absurd events and poor decisions, each one more
insane than the last. At one point the film pauses, and—over a freeze frame of
a coked-out, jacked up Dwayne Johnson grilling human hands—it reminds you that
this is still based on a true story. All I can say is that Bay’s reality must
be a sight to behold. Oh to see the world through his gilded eyes.
Thursday, June 28, 2012
'Ted' Movie Review
Seth MacFarlane’s foul-mouthed buddy comedy “Ted” is
surprising. Not because of the story—there is nothing at all unusual there—but
because it’s actually pretty funny. It isn’t brilliant, or game changing, or
anything like that, but it’s amusing enough. I’m one of the legions who have
long since abandoned MacFarlane’s most well known product, “Family Guy”. The
“do something enough times it automatically becomes funny” has run its course,
and you can only watch an extended fist fight between Peter Griffin and a giant
chicken so many times before you’ve had enough. While the story of “Ted” is
painfully bland and obvious—you know exactly what is coming every step of the
way—MacFarlane avoids some the pitfalls “Family Guy” is prone to.
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