Showing posts with label Mark Wahlberg. Show all posts
Showing posts with label Mark Wahlberg. Show all posts

Tuesday, May 15, 2018

'Mile 22' Trailer: Iko Uwais, Mark Wahlberg, Ronda Rousey, And Peter Berg Team Up To Explode Things



Marky Mark is sick of coddling all the pussies and his new movie is here to prove that. I don’t exactly know how that ties into his new action movie, Mile 22, but the Trump pal once again teams up with director Peter Berg (Lone Survivor, Deepwater Horizon) for some rah-rah, flag-waving, manly shit. And they, of course, can’t help but getting a jab in at people with feelings (AKA the aforementioned pussies) at the start of this new trailer.

Tuesday, June 20, 2017

'Transformers: The Last Knight' (2017) Movie Review



Let’s be frank. At this point, five movies of Michael Bay-directed robotic mayhem into the franchise, most potential moviegoers don’t need me or anyone else to tell them whether or not to see Transformers: The Last Knight. As the last two installments both topped the billion-dollar mark at the global box office—the first has the smallest take at $709 million—this may well be the most “critic proof” franchise in all of franchise-dom. It basically prints money regardless of brutal reviews. And when this one dominates the box office, it’s sure to be the latest bullet in the studio’s “movie critics don’t matter” gun. (Despite earlier this summer when they placed the blame for the underperforming Baywatch and Pirates of the Caribbean: Johnny Depp Earns a Paycheck squarely at the feet of those fun-hating critics they didn’t make the movies for anyway.)

Thursday, September 29, 2016

'Deepwater Horizon' (2016) Movie Review



As a filmmaker, Peter Berg is in love with the process of things. He fills his films, even Battleship, with meticulous, methodical sequences, like a helicopter refueling early on in his latest tale of real-life disaster and heroism, Deepwater Horizon. An affection and even tenderness washes over what amounts to little more than a mechanical interaction between man and machine.

Thursday, June 25, 2015

'Ted 2' Movie Review


Seth MacFarlane’s 2012 film Ted surprised a lot of people. Raunchy and raucous, it was, at its core, about two lifelong friends, and that nugget of sweetness is what makes it stand apart from your average foul-mouthed comedy. The new sequel, Ted 2, is everything about the first film recycled, less effective, and generally forgettable.

Thursday, January 9, 2014

'Lone Survivor' Movie Review


We’re so inundated with frantic, rapid fire, Michael Bay-inspired action sequences, where cuts come faster than you can blink, that we expect every film to try to be something people will describe as “high octane.” The combat scenes in Lone Survivor, on the other hand, are almost balletic in comparison. When the fighting that forms the core of the movie begins, it mirrors the training and approach of the quartet of protagonists, four highly-skilled Navy SEALs. They go at their enemy with cool, even steps, years of running drills and scenarios at the helm. Instead of jittery, frenetic edits, you get fluid camerawork and longer takes as they make calculated, deliberate, efficient movements. As the battle progresses, the soldiers take more and more damage, and the situation becomes more precarious. The aesthetic approach also reflects this, becoming choppy, more scattered, chaotic, and intense.

Thursday, August 1, 2013

'2 Guns' Movie Review


 
If you walk away from Baltasar Kormakur’s latest actioner, “2 Guns,” having learned one lesson it will be this: everyone will betray you, always. That’s the basic point of the movie. Everyone will screw you over in the end, even the people you call your People, and when they do it, that’s when it hurts the most. That’s also why undercover DEA agent Bobby Trench (Denzel Washington) doesn’t have people. In fact, he has a few connections as possible. That’s about as deep as you’ll get in “2 Guns,” which falls into that category of late summer—or at least post-every massive blockbuster of the season—action film that looks groan worthy and generic before hand, but turns out to be a ton of goddamn fun. Last year “Premium Rush” surprised a lot of people, this year “2 Guns” might just do the same.

Saturday, May 25, 2013

Blu-Ray Review: 'Ultimate Gangster Collection: Contemporary'



As a kid “Top Gun” told me I should to be a fighter pilot, James Bond movies showed me how awesome it is to be a spy, and gangster movies made me want to be a gangster and live a life outside the law. None of those career options panned out, but to celebrate the long, illustrious history of mobsters in cinema, Warner Bros. has released their “Ultimate GangsterCollection” so you can live vicariously through some of he all-time fiercest movie criminals in history.

Thursday, April 25, 2013

'Pain & Gain' Movie Review



“Pain & Gain” is like watching a Day-Glo roid-rage explosion that will pump your pecks at the same time it shrivels your nards. This is what happens when you incorporate the phrases “Michael Bay” and “fact based” into the same movie. The film is a continual series of absurd events and poor decisions, each one more insane than the last. At one point the film pauses, and—over a freeze frame of a coked-out, jacked up Dwayne Johnson grilling human hands—it reminds you that this is still based on a true story. All I can say is that Bay’s reality must be a sight to behold. Oh to see the world through his gilded eyes.

Thursday, June 28, 2012

'Ted' Movie Review



Seth MacFarlane’s foul-mouthed buddy comedy “Ted” is surprising. Not because of the story—there is nothing at all unusual there—but because it’s actually pretty funny. It isn’t brilliant, or game changing, or anything like that, but it’s amusing enough. I’m one of the legions who have long since abandoned MacFarlane’s most well known product, “Family Guy”. The “do something enough times it automatically becomes funny” has run its course, and you can only watch an extended fist fight between Peter Griffin and a giant chicken so many times before you’ve had enough. While the story of “Ted” is painfully bland and obvious—you know exactly what is coming every step of the way—MacFarlane avoids some the pitfalls “Family Guy” is prone to.