It makes a great deal of sense that Renny Harlin’s The Bricklayer was once earmarked as a Gerard Butler vehicle. Butler remains a producer, while Aaron Eckhart takes the role of former spy Steve Vail, and does a passable growly, grumble-voiced tough-guy mutter. Though admittedly, without Gerry’s sweaty macho charisma, the finished product loses some oomph. The plot is pure dumbed-down airport-novel espionage with little investment, stakes, or suspense, but thanks to a brisk pace and action that whips damn hard, this offers up an entertaining thriller that scratches a specific itch.
Since we’ve already taken the time to look back on the year that was 2023, it only makes sense to now turn our gaze forward, toward the cinematic future. With that in mind, here are my top 50 most-anticipated movies of 2024.
It’s that time of year again. 2023 has wound down, the holidays, whatever that looks like for you, are here, and this is the natural moment to look back at the last 12 months and talk about the best movies of the year.
John Woo is arguably the greatest action director of all time. So, you better believe when the master drops a dialogue-free Christmas-themed revenge movie, I am all over that. Silent Night sees Woo working in what closely approximates a low-budget 1990s direct-to-video action aesthetic. It’s a little sparser and a little less slick than in his heyday, and at times it’s very clear he’s working with a smaller budget, but the Woo still shines through. Though the finished product has been divisive, and certainly doesn’t live up to the director’s career highs, this is a blast of fun, high-octane holiday retribution.
For his first two features, writer Michael Kennedy has used essentially the same strategy. He takes an iconic movie plot and asks, but what if it was a slasher? There’s 2020’s Freaky Friday riff, Freaky, and now he teams up with Tragedy Girls director Tyler MacIntyre for It’s a Wonderful Knife. You can probably discern the premise from the title. The result plays something like an unapologetically queer Hallmark Christmas movie covered in blood and stab wounds. Which is as much damn fun as it sounds.
Epic scope and scale on a bargain-basement budget. That might be the best way to describe DTV action auteur Jesse V. Johnson’s newest film, Boudica: Queen of War, starring Olga Kurylenko, who has carved quite a niche for herself in this realm.
The Elderly, from Spanish co-directors Raul Cerezo and Fernando Gonzalez Gomez, taps into a number of primal, deep-seated fears. Ideas of our bodies aging and betraying us touch on body horror; there’s the dread of losing our autonomy, in both a physical and mental capacity. It has something to say about how society values, or more accurately, doesn’t value the aged, attends to the looming specter of Spain’s fascist past, which may not be as far in the rearview as many believe, and even copes with the threat of climate catastrophe.
