James Wan may be most known as the writer and director of
“Saw,” and for being responsible for the assault of questionable “torture porn”
movies that franchise helped launch. Lately, however, he has eschewed over the
top gore and elaborate ways to kill people for a spooky, less gore-soaked style
of horror, like “Insidious” and “Dead Silent.” These movies atmosphere,
escalating tension, and jump scares over blood and guts and violence. And Wan’s
latest, “The Conjuring,” takes pages from two of our favorite subgenres—the
haunted house and the exorcism—and combines them to great effect to tell a
purportedly true tale of real life terror.
Thursday, July 18, 2013
Sunday, July 14, 2013
'Jump' Movie Review
“Jump,” the latest film from Irish director Kieron J. Walsh,
is garnering comparisons to the likes of
Doug Liman’s “Go,” and “Lock, Stock, and Two Smoking Barels” and
“Snatch” from Guy Ritchie. Those are apt comparisons given that “Jump” is a
fast paced crime story comprised of multiple threads and numerous narrative
layers. However, the puzzle of the plot is more complex, as Walsh’s script zips
you back and forth in time. Watching “Jump” is like playing an engaging game,
full of twists and turns, and the action keeps you barreling through the spare
81-minute run time. In a post “Pulp Fiction,” post “Sixth Sense” world, you’ll
see some of these shifts and curves coming, but that shouldn’t dampen your
enjoyment of the film.
Thursday, July 11, 2013
'Pacific Rim' Movie Review
There are going to be people who absolutely hate
Pacific Rim, and with good reason. Guillermo del Toro’s
highly anticipated mech versus monster adventure is a big, clunky mess. The
movie is 20 minutes too long, and you can pick apart just about every element.
But on the other end of the spectrum, you’ll find people like me, who totally
love Pacific Rim. My reaction to this movie is similar
The Dark Knight Rises. All of the criticisms leveled at it
are legitimate complaints, and when you break it down, there are big problems.
I recognized all of this while I watched the film, but that didn’t impact my
enjoyment one iota.
Wednesday, July 10, 2013
'Oldboy' Redband Trailer Says It's Hammer Time
I’m torn, so very, very torn. On one hand, the fact that
Hollywood is remaking a badass modern revenge classic like Park Chan-wook’s “Oldboy,” which is barely a decade old,
is a travesty. They’re going to water it down, take away all of the bite, give
it a happy, Americanized ending. You get where this train is headed. On the
other hand, this new redband trailer for Spike Lee’s version of “Oldboy” is
really good.
Tuesday, July 9, 2013
Orson Scott Card Tries, And Fails, To Smooth Things Over
Science Fiction author Orson Scott Card has made no
secret made no secret about his stance on homosexuality. He has so often and so
vehemently stated his opposition that there is a growing movement to boycott
Summit’s upcoming adaptation of his novel Ender’s Game. They
kind of walked into that one. Following the Supreme Court’s historic ruling
extending equal rights to all state recognized marriages, gay or straight, Card
has issued a statement.
Monday, July 8, 2013
Blu-Ray/DVD Review: 'Portlandia Season Three'
People certainly seem to like IFC’s sketch comedy series
“Portlandia,” though I am certainly not one of them. Personally, I’ve never
quite got the appeal, but far be it from me to deny others things they enjoy.
Season three of the satirical show is now available on Blu-ray and DVD, and
they’re back to doing that thing they do, poking and prodding at all the
pretentious stereotypes and foibles of Oregon’s largest urban center. Chances
are that, if you’re already a fan, you’ll be all over this release, and if not,
you know where you stand. If you’ve seen the show, you know exactly what you’re
going to get. There are no surprises here.
Tuesday, July 2, 2013
'The Lone Ranger' Movie Review
“The Lone Ranger” is a big, fat waste of time. Disney’s
latest attempt to cash in on nostalgic moviegoers isn’t even memorably bad. If
it failed in a spectacular ball of fire and disaster, at least that would be
something. Instead, what you get is 149 minutes—and you feel each and every one
of those minutes scrape by—of tedious boredom. The story is convoluted, and by
turns attempts to be a tent pole action film, a buddy comedy, a family
melodrama, a revisionist western, and a tale of heroism, and it falls flat in
every instance. I saw this less than a week ago, and I’m honestly having
trouble recalling any specific details without referring to my notes. Except
one, I was bored as hell.
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