Last time they went to freaking space. In a Pontiac Fiero! So, the biggest question about Fast X, the tenth chapter in the Toretto-centric saga of Southern-California-car-enthusiasts-turned-international-mega-spies, is how the hell are they going to outdo that? Well, Jason Momoa as gay-coded street race Jesus is one way. Unfortunately, Momoa and his delirious, gleeful performance is the only thing Fast X has going for it. It’s also never been clearer just how much this franchise misses the late Paul Walker and how much it’s lost its way since his death.
I don’t know what movie is the one that’s going to get me back into a theater despite the global pandemic. But after this trailer for Denis Villeneuve’s adaptation of Frank Herbert’s Dune, we have a new contender. Just watch.
There’s so much going on in Aquaman I’m honestly not sure where to begin. Actually, that’s as good a place as any. There is a lot going on in Aquaman. Like, a lot. To try to map out the plot is a fool’s errand; it’s a tangle of betrayal, a reluctant hero, Aquaman’s childhood, a single throwaway line that connects to the larger DC movie universe, betrayal, revenge, destiny, heartbreak, and a litany of things I know I forgot. And director James Wan wraps all of this is a Day-Glo, candy-colored, hallucinogenic seascape that resembles the cover of an epic adventure metal album from the ‘80s. And it’s as fun and messy as that sounds.
He’s a big-time cinematic superhero, playing Aquaman in the
DC movie universe, but I have to say, I think Jason Momoa is best suited to low-budget,
direct-to-video-style action fare. Sure, he’s a ripped Adonis of a human being,
but he also has a relatable, everyman quality. And this is on full display in
Braven, a solid, reasonably entertaining, if unremarkable
new noir-inspired Canadian thriller. It scratches a very particular itch for
those longing for the types of beefy-father-protects-his-brood pictures
Schwarzenegger and Stallone turned out in the ‘80s.
Justice League is clunky and messy. It’s jumbled
and misshapen. The presence of multiple directors—Zack Snyder did the bulk of
the heavy lifting, though Joss Whedon handled extensive reshoots and rewrites,
and roughly 20% of the finished film belongs to him, according to reports—is readily
apparent in the mishmash of tones and the fact that it watches like multiple
movies shoehorned together. Cringe-worthy choices abound. The fight scenes all
look like they’re lifted from a video game promo. And, of course, since this is
a superhero movie, the plot revolves around an iconic group of comic book
characters searching for CGI boxes powerful enough to destroy the world. But for
all the bumps and bruises and problems, and they are legion, Justice
League is a hell of a lot of fun.
I understand very little in this world as much I understand going
on a kill-crazy rampage because someone fucked with your dog (or pets in
general). Seriously, I’d murder every last one of you for my dogs, which is why
a movie like John Wick speaks to me on such a deep level. I
also love Bruce Willis, despite the fact that we probably wouldn’t get along at
all in real life. But combine Bruce Willis with a movie about a dude fucking
people up to get his dog back, and I’m in. If that sounds like your jam, you
should probably watch the trailer for Once Upon a Time in
Venice.
Twee indie Iranian vampire western A Girl WalksHome Alone at Night is a goddamned masterpiece, so, of course,
anything writer/director Ana Lily Amirpour does next is high on my list. It
doesn’t hurt my feelings at all that her next movie is a weird-as-hell
post-apocalyptic cannibal joint. And the latest trailer for The Bad Batch does nothing but sell me.
After A Girl Walks Home Alone at Night, I’m
game for anything Ana Lily Amirpour does. And if that happens to be a visit to
a tense, moody, post-apocalyptic dystopia where Keanu Reeves goes deep-dive
mustachioed cult leader, even better. Check out the first trailer for
The Bad Batch below.
Did I jump the gun a bit putting Ana Lily Amirpour’s
black-and-white, pseudo-western, Iranian vampire indie A Girl Walks Home Alone at Night on my Top 25 Movies of the Century So Far list?
Probably. But I love the shit out of that movie. And I am, understandably,
excited for her follow up, The Bad Batch. It just debuted at
Venice (with an appearance at both Fantastic Fest and the Toronto International
Film Festival on the horizon), and we’ve got two new clips to gawk at and
salivate over.